Ida Hosseinian
Creating installations, prints and image-based works where landscapes, memories and scientific concepts converge into immersive, emotional spaces. Her practice focuses on the active, imaginative perception of the world and the landscapes we inhabit.
Ida Hosseinian (b. 1993) is an Iranian artist based in London. She received her MA in Art and Science from Central Saint Martins, UAL, in 2024, and her BA in Painting from Azad University of Art and Architecture, Tehran, in 2018. Her practice explores lived experience, memory and perception, constructing expressive spaces that embody both her own memories and those of the viewers.
The Works
Let me have the feelings and forget the words
Site-specific installation using plaster and layered Japanese papers. An imagined place where displaced objects, memories, identity and longing converge into an emotional landscape.
View projectHomeostasis
A body of prints exploring balance and instability through layered surfaces, mapping the shifting relationship between body, memory and scientific imagery.
View projectPomegranate Studies
A visual and cultural investigation of the pomegranate as a recurring motif, influenced by the film “The Color of Pomegranates” and its symbolism within Persian culture.
View projectWhy this practice?
Ida’s work moves between printmaking, installation and image-based experiments. She is interested in how our experiences are recorded, fragmented and re-assembled in perception. Scientific ideas such as information, black holes and the holographic principle sit alongside memories of specific landscapes, personal stories and everyday language.
Rather than simply illustrating theory, the works become spaces where viewers navigate strata of images, text and sound, sensing how their own memories and associations colour the picture.
The Process
Drawings, photographs and scientific texts are gathered from journeys, studio experiments and conversations. Emotional and scientific narratives become raw material for new works.
Images are cut, layered and translated into print plates. Text becomes texture, diagrams turn into abstract marks and memories are re-configured as flexible data-like units.
Prints, objects and fragments are recomposed into installations and book works, inviting viewers to move through immersive environments and to inhabit a shared, open narrative.