Some prints behave like a membrane.                                    Soaked, the sheet reshapes with water.                                      They hold colour under pressure, keeping landscape as a material condition rather than a view. 

In some works, air becomes part of the surface.

In other works, prints enter each other through punched circular forms, carrying remnants forward.

Across the series, making becomes a form of return: to the image as it keeps changing, and to a lived condition — a solitude near water and stones.